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Why the distinction between video rental and purchase?

by Dennis Howlett on October 5, 2009

I suddenly had a thought from goodness knows where: why is there a real distinction between video rental and purchase – especially on the Apple store? It sounds like a daft question for a site devoted to all things innovative in the accounting world but think about it: The last year, I’ve found myself more willing to rent video films than in the past. I’m not a huge collector of film though it’s nice to go back from time to time and re-view a classic. I used to rent movies fairly regularly 15 years ago but stopped when we went offshore. Instead, we’d buy them. When we moved from France we gave away all our VHS videos – they were redundant plus a fair few DVDs. Today, the web plus broadband provides a convenient way to acquire video on an either rental or purchase basis.

Over the weekend I rented one that we watched twice. ‘er indoors said it had been made by the same people who made Lock, Stock and Two Smoking Barrels. Armed with that knowledge, I saw the film in a different light. It occurred to me later that I’d really like to buy the video. If I want to do that, I don’t get any credit from Apple. You might argue they’ve provided the service so why should they? What they could do is send me a note asking if I’ve enjoyed the movie and would I like to buy some sort of unlock key that allows me to retain ownership. But no. That’s not done. It’s not wholly unreasonable. As it is I feel less inclined to buy the video even though I’d like to have the choice to view whenever I wish. Only because I’ve already paid a good chunk towards the purchase price anyway and in some illogical way it doesn’t ‘feel’ right.

The same goes for online course and training material. I should be able to effectively ‘try before I buy.’ Anyone know of organizations offering that kind of service?

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  • I suspect there may be a negotiation to be had with the studios, which definitely make a distinction between renting and buying.

    Apple does do something like this with songs: once you have bought a single track for 79p, you can "complete the album" for 79p less than the original album cost. But I suspect that while record companies are now happy to accept most of Apple's recommendations on how they can mutually make more money - the film industry might not be ready to do so just yet.

    Clearly there is a behavioural reason - perhaps the "fairness" you talk about - why this upselling process works. An interesting issue to think about, particularly in the context of professional services pricing.
  • Just thinking out loud here but there is a direct analogy to service providers such as mygoodself.

    The reason you want to buy the video after rental is because you liked the product. "Try before you buy" is good for a customer. That's why the ice cream shops around here are so free to give out tastes of the different flavors.

    Whether there is an explicit discount given to you or not is kind of beside the point. You are a buyer and you want to give the seller more money for the same product you already purchased. Apple could find some sort of face-saving way to deal with this. If they wanted the money, that is. They may not want the marginal revenue from you. Stranger things have happened.

    But back to the Moral of the Story for accountants and lawyers and normal people like us.

    You spent the nominal amount to rent the movie. Then you are prepared to spend more money to buy it. The fact that your seller in this proposed commercial transaction is pushing aside your proffered cash is irrelevant for the moment.

    I don't want to be a Dim Bulb like Apple, as the owner of a law firm. How do I capture that additional revenue and not make Apple's error?

    It seems to me that a good marketing system gives a potential customer the ability to test -- with minimal financial risk -- whether he/she wants to do business with you, the accountant or lawyer. Start with free (blog), maybe more free (downloadable PDFs, videos), then offer cheap ebooks, then more expensive paper books, then cheap one-to-many interactions, then one-to-one consultations, then the expensive stuff.

    At any point along the way the customer just has to say "Meh, this costs me $20, what do I have to lose?" What you as the seller have done is (1) cleared away the "I want this for free" riff-raff and (2) gained the opportunity to be in front of a real customer and develop trust.

    We as professional services firms don't do this. We enter the Restaurant of the Customer and want to jump straight to dessert.

    I nominate Alan Weiss at www.contrarianconsulting.com as a decent model for what I describe above as a business model. Blog, a little bit of freebie stuff like a podcast, paper books in abundance for a little bit of money, then (I did this) attend a speech at $99, then bigger consulting fees from other stuff he does.

    The idea for this gradient of services (cheap to expensive) was originally given to me by @riskin (Gerry Riskin of www.edge.ai). He said (eloquently) that you have to get the client used to giving you money. Start small and work your way up.

    It works like a champ.

    I'm still getting better at it.

    @philiphodgen

    Too bad Apple doesn't want your money. That's why God made BitTorrent, anyway. :-D
  • I suspect there may be a negotiation to be had with the studios, which definitely make a distinction between renting and buying.

    Apple does do something like this with songs: once you have bought a single track for 79p, you can "complete the album" for 79p less than the original album cost. But I suspect that while record companies are now happy to accept most of Apple's recommendations on how they can mutually make more money - the film industry might not be ready to do so just yet.

    Clearly there is a behavioural reason - perhaps the "fairness" you talk about - why this upselling process works. An interesting issue to think about, particularly in the context of professional services pricing.
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